"...the fundamental role of the Conservator-Restorer is the
preservation of cultural property for the benefit of present and
future generations... The Conservator-Restorer undertakes responsibility
and carries out the diagnostic examination, conservation and restoration
treatments of cultural property and documentation of all procedures.
What is Preservation?
Preventive conservation, also known as "preservation",
refers to actions taken to slow down or prevent altogether the
deterioration of cultural property, without directly acting on the
object. This includes correct handling and use of objects, creation
and maintenance of good storage conditions, appropriate display conditions,
and safe transport.
What is Conservation?
Remedial conservation, often referred to simply as
"conservation", refers to procedures performed on an object
which are intended to physically or chemically stabilise the object,
thereby slowing down the rate of deterioration. In the field of paper
conservation, examples of these procedures include washing, neutralising
acids present in the paper, and mending or lining the paper.
What is Restoration?
If the damage to an object is so extensive that it interferes with
using, understanding or enjoying the object, the conservator may include
an element of restoration in the object's treatment. For example, if a
tear on a watercolour appears as a distracting white line in the image
area, the conservator may retouch the white area so that it blends in with
the surrounding image and no longer distracts the viewer. If a print has
blotchy discolourations and is badly marked with foxing spots, the
conservator may use a gentle bleaching chemical to reduce the disfiguring
staining.
What are the steps involved in having an item
conserved?
The conservator will thoroughly examine an item before any
conservation work is undertaken. If an item is framed, it will have to
be taken out of its frame to allow for a complete examination. The
findings of the examination are documented in a Condition Report,
accompanied by photographs of the item. The client and the conservator
then both have a record of the item prior to treatment. The Condition
report is not an estimate of the item's monetary value.
Based on the findings of the examination, the conservator will then
decide what treatments are appropriate. These options for treatment are
listed in a document called the Treatment Proposal. In some cases, there
may be more than one course of action possible. (For example, a severely
damaged photograph might receive a full course of cleaning, mending and
retouching, while another choice might be to clean and mend the photograph,
and have a copy made with digital retouching to restore image integrity.
The original photograph might then be stored in archival quality materials
and the digitised copy displayed. The foxing spots on an old print could be
reduced using special bleaching agents, or if the client isn't bothered by
their presence, they could be left alone.). An estimate of the costs is
provided in the Treatment Proposal. The client decides on what course of
action they wish to follow, based on this Proposal and on further
discussions with the conservator if necessary. If the client decides
not to have the item conserved, the object is then returned to them.
If the client wishes the conservator to treat the item, the conservator
then begins work on it as per the Treatment Proposal. The conservator may
photograph the item at different stages of the treatment.
Once the treatment is concluded, the conservator writes a Treatment
Report, detailing what was done to the item and what materials and
chemicals were used. The conservator may also provide recommendations
on storage, display and use of the item, as appropriate. Photographs of
the item after treatment are also taken.
Code of Ethics
If your conservator is a member of a professional body such as
the Institute for Paper Conservation, the Society of Archivists or the
American Institute for Conservation, they will be bound by the Code of
Ethics of each body. You can learn about each association's Code of Ethics
by contacting them (see Interesting Links)